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About the Artist | |||||||||
While many artists portray
an expansive view of nature’s grandeur, Do Mi Stauber looks down and
in.
She sees
the smallest details, the texture that she calls “the tender surface of
the
world.” Perhaps this close-up fascination comes from her early
nearsightedness,
and the magic of individual leaves appearing on the trees when she put
on her
first pair of glasses. It’s no surprise that her colored-pencil
“intimate
landscapes” approach abstraction as they explore the eye of an
elephant, the
bark edges around a knothole, a tiny rock crevice. Even though she began
working colored pencil only eight years ago, Do Mi has already won
awards in
local and national shows, including cash awards from the Colored Pencil
Society of America and the Audubon
Artists’ Annual
Exhibition at
the historic Salmagundi Club in New York City. In addition to local
newspaper
reviews, Do Mi received national media attention this winter: American
Artist magazine published a feature article
on her unique work in the February 2006 issue. |
![]() Artist's
Statement
Whether I am exploring a rock formation, a living tree, or the wrinkles and planes of an animal's face, it is the intimate details of the landscape that fascinate me. Following my pencil point down into subtle layers of texture opens a world of mystery, awe, and stillness. I hope my paintings bring to viewers this same experience. I paint with Prismacolor and Polychromo pencils on Rising Stonehenge paper. Using the sharpest possible point and tiny movements, I blend colors in up to fifteen layers to create a rich, textured surface. I use photographs for reference, and extensive value/compositional sketches and color studies prepare me for the slow, meditative painting process. ![]() "...a soft, luminous, multi-layered colored-pencil close-up...reaching toward abstraction in its marvelous study of texture." Sylvie Pederson, Eugene Weekly, 2005 |
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without written permission from the artist. |